48.youtubemp3mp4

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comIndex,111,111A,13c,19Ct(Cent),53dB(decibel),13Δ,76d(z,w),57ez,79f,13,20fg,95g(t),31H,21Hz(Hertz),13k,19m,19P,13Pa(Pascal),11Ph,20S(b,a),31STRG,134s(t),31T3*4,57W(t),29w(t),20Z3,57Z4,57Z12,57AAAC(AdvancedAudioCoding),85,169abstraction,110accent,112acoustics,11ACROE,32actions,orderof-,152ADC(AnalogtoDigitalConversion),84Adorno,TheodorW.
,113ADSR,22AdvancedEncryptionStandard(AES),169aerophone,35AIFF,84airpressure,11algorithmFFT-,81Yamaha-,29Amberolcylinder,69amplitude,13,20,22quantization,70spectrum,20analog,65analysis,23Schenker-,138analyticalhoptime,103Apple,166architecture,concept-,133Aristoteles,133Armangil,Alev,175ASCII,133,167Atari,177atomicinstrument,20,23sound,30attack,22AudioEngineeringSociety,115audioleformats,digital-,84SpringerNatureSwitzerlandAG2018G.
Mazzolaetal.
,BasicMusicTechnology,ComputationalMusicScience,https://doi.
org/10.
1007/978-3-030-00982-3191192Indexauditorycortex,11,16masking,87nerves,11autocomplementarityfunction,60automaton,cellular-,178,179BBach,JohannSebastian,182bandpasslter,96basilarmembrane,16basis,orthonormal-,81Baud,118BEAP(BerkleeElectroAcousticPedagogy),149bell,36,40tuning,3Beran,Jan,173Berliner,Emile,69BigBang,143bitrate,86,89bluenoise,26brain,15,16Brandenburg,Karlheinz,85brassinstrument,39Braxton,Anthony,160,161breathiness(inVOCALOID),184bridge,44brightness(inVOCALOID),184bueredstreaming,170Ccable,MIDI-,118CadenceJazzRecords,66Cage,John,111ASLSP,111Cahill,Thaddeus,48cantusrmus(CF),59carrier,29CCRMA,32CD,68,70cell,hair-,16cellularautomaton,178,179CEMAMu,47chamberpitch,13channel,MIDI-,122chant,Gregorian-,110chest,44voice,44ChinaBlue,154Chopin,Frederic,159,160ChordisAnima,32chordophone,35Chowning,John,27chronospectrum,22circularreference,138clarinet,38classicationofinstruments,35clearness(inVOCALOID),184client-serversystem,164cochlea,11,15,16coldinlet,152colimit,132form,136communication,5,81,115,186MIDI-,118communicativedimensionofsound,14commutativering,135completeness,133complexnumber,79complexnumberrepresentationofsinusoidalfunctions,79compoundform,135compression,83Human-,83JointStereoCoding-,90lossless-,83lossy-,83MP3-,82psychoacoustical-,85computationaltheory,140conceptarchitecture,133critical-,27connotation,123consonantinterval,56constructionrecursive-,135universal-,135content,65context,175controller,117convolution,95Cook,Perry,32Cooley,JamesW.
,81coordinate,134coordinator,134cortex,auditory-,11Index193Cortiorgan,23counterpoint,56species,59CRC(CyclicRedundancyCheck),89creation,musical-,3creativity,23musical-,177criticalconcept,27crowdsourcing,185culture,175ofmusic,173curve,tempo-,112cutofrequency,97Dd'Alembert,JeanleRond,132DAT,68databasemanagementsystem(DBS),131dataownetwork,139databit,122daughtertime,160Davidson,Matthew,149Davis,Miles,174DAW(digitalaudioworkstation),183decay,22deformation,31,173denotator,131name,133diaphragm,44dichotomyFux-,59strong-,60Diderot,Denis,132digital,65audioleformats,84encodingofmusic,70digitalreverberator,99DigitalRightsManagement(DRM),167discantus(D),59discourse,133dissonantinterval,56distance,third-,57distribution,music-,163drum,41duration,13,22,112DX7(Yamaha),27dynamics(inVOCALOID),184Dynamophone,48Eear,66inner-,15middle-,15outer-,15Edison,Thomas,69Eimert,Herbert,109electricalcircuitsimulationofacousticalcongurations,97electromagneticencodingofmusic,65electronicinstrument,45electrophone,35embodiment,7,143emotion,179encodingofmusic,68encryption,167energy,spectral-,24envelope,21,27,30EQ,96equalizer,97esthesis,14Eulerspace,51Euler,Leonhard,51,79event,sound-,115exponentialfunction,79Ffactsview,143FairPlay,169Fanning,Shawn,164fermata,112FFT,103algorithm,81FFT(FastFourierTransform),76,78fth,51lesharing,165lter,24,96bandpass-,96highpass-,96highshelf-,96lowpass-,96lowshelf-,96notch-,96niteFourieranalysis,75Flanagan,JamesL.
,101ute,36FM,14,27fold,vocal-,45form,133194Indexcolimit-,136compound-,135limit-,135name,133powerset-,136simple-,134type,134formant,45formula,Fourier-,79Fourier,14analysisnite-,75formula,79spectrum,70theorem,19,23transform,94Fourier,JeanBaptisteJoseph,19,27fourthinterval,56frame,43,102header,89MP3-,88freejazz,14,160frequency,13,20,52cuto-,97modulation,27Nyquist-,77reference-,52sample-,76sampling-,86vanishing-,94fret,40functionautocomplementarity-,60exponential-,79non-periodic-,93periodic-,76sinusoidal-,20Fuxdichotomy,59Fux,JohannJoseph,56GGauss,CarlFriedrich,81Gen,147genderfactor(inVOCALOID),184generalMIDI,123geolocation,185gesture,109,113,115,159GIS(GeographicInformationSystems),137globalmusic,159space,162time,159glockenspiel,42Golden,RogerM.
,101GPS,185Gregorianchant,110greynoise,26grid,173,178group,standardization-,84GUI,141Hhaircell,16hall,music-,11hammer,43Hammingwindow,103head,44voice,44header,frame-,89hearingthreshold,87hexadecimal,126hierarchy,time-,160highpasslter,96shelflter,96hippocampus,16Hitchcock,Alfred,47horn,40Hornbostel-Sachssystem,35hotinlet,152Humancompression,83humanvoice,44hybridpeer-to-peernetwork,165IICMC,32idiophone,35INport,118inlet,145cold-,152hot-,152inputcable(inMax),145instrument,32atomic-,20,23brass-,39electronic-,45net-,181Index195percussion-,41reed-,37string-,40wind-,36woodwind-,39instruments,classicationof-,35Internet,71,163internetradio,170intervalconsonant-,56dissonant-,56iPad,150iPod,166,185mobiledevice-,185IRCAM,32,146ISC(IntensityStereoCoding),90ISO(Int.
OrganizationforStandardiza-tion),84iTunes,166Plus,169JJava,141,181jazz,free-,14,160Jitter,147Jobs,Steve,166Johnson,EldridgeR.
,69JointStereoCodingcompression,90justtuning,54KKarajan,Herbertvon,70key,encryption-,167Kimura,Mari,154Klumpenhouwer-network,136Llanguage,179larynx,44layersofRUBATO,141Lewin,David,136limit,132form,135LincolnCenter,182lips,32listener,14live-streamingsystem,170lobe,temporal-,16localtime,159longitudinalwave,12losslesscompression,83lossycompression,83loudness,13,134loudspeaker,11,65,67lowpasslter,96shelflter,96LP,68MMacOSX,177Machover,Tod,179majorthird,51mallet,41Manoury,Philippe,146marcato,112marimba,42maskingauditory-,87temporal-,87mass-springmodel,32Max,145Max,147MaxforLive,147Max/MSP,145Mazzola,Guerino,4,113,131,160,174,175,177mechanicalencodingofmusic,65membrane,basilar-,16membranophone,35memorystick,68messageMIDI-,115,177MIDIchannel-,123MIDIRealTime-,124MIDIsystem-,123MIDISystemCommon-,124MIDISystemExclusive-,123messagecategories,MIDI-,123method,synthesis-,14mic,65typescondenser,66movingcoildynamic,66ribbon,66microphonesystem,11middleear,15MIDI,113,115,141196Indexcable,118channel,122channelmessage,123communication,118File,Standard-,125general-,123message,115,177messagecategories,123RealTimemessage,124Specication,115Standard-File,116SystemCommonmessage,124SystemExclusivemessage,123systemmessage,123tick,125time,125velocity,122word,121Mira,150MITMediaLab,180mixer,65mobiledeviceiPod,185modalsynthesis,32Modalys,32modelmass-spring-,32product-,167service-,167streaming-,170modeling,physical-,14,32modulation,frequency-,27modulator,29module(functionalunit),145module(mathematical),135,139mothertime,160motif,three-element-,177mouthpiece,36MP3,72,84,163compression,82leidentier,88frame,88MP4,84MPE(MultidimensionalPolyphonicExpression),147MPEG(MovingPicturesExpertsGroup),84MPEG-1,85MPEG-2,85MSP,147MSSC(Mid/SideStereoCoding),90multiple-orchestralism,161musicdigitalencodingof-,70distribution,163electromagneticencodingof-,65encodingof-,68global-,159hall,11mechanicalencodingof-,65ontology,5spectral-,3,24technology,3musicalcreation,3creativity,177culture,173MUTABOR,50Nnamedenotator-,133form-,133NAMM(NationalAssociationofMusicMerchants),115Napster,164nerves,auditory-,11nervoussystem,16netinstrument,181network,dataow-,139neume,110neuron,15,16neutrallevel,14niveau,65Newton,Isaac,19noise,25blue-,26grey-,26pink-,25red-,26violet-,26white-,25non-periodicfunction,93nose,32notation,33Western-,109,113notchlter,96NoteON,122Index197number,complex-,79Nyquistfrequency,77theorem,77Oobject(inMax),145,151object-orientedprogramming,133octave,13,31,51Oechslin,Mathias,16oset,111oniontology,5onset,22onsettime,13ontology,music-,5opening(inVOCALOID),184orchestra,virtual-,146orderofactions,152organ,Corti-,23orthogonalityrelations,77,80orthonormalbasis,81OSC(OpenSoundControl),147ossicles,15OUTport,118outerear,15outlet,145outputcable(inMax),145overblowing,37overtone,20,27PPAC(Perceptual-Audio-Coding),87Pandora,170parallelfths,56partial,20patch,145,151chord,145pedal,44peer-to-peer,164networkhybrid-,165structured-,164unstructured-,164percussioninstrument,41performancetheory,113period,13sample-,76periodicfunction,76phase,20spectrum,20vocoder,100Philips,70phonautograph,68phonograph,69physicalmodeling,14,32piano,43pinknoise,25piracy,171pitch,13,20,52chamber-,13class,57stretching,100pitchbend(inVOCALOID),184Pluton,146poiesis,14poietic,65,82portIN-,118OUT-,118THRU-,118portamento(inVOCALOID),184postproduction,67powerobject,132powersetform,136pressure,air-,11Presto,160,174,177,178principle,time-,161processview,143productmodel,167programming,object-oriented-,133propertiesinrubettes,140psychoacousticalcompression,85Puckette,Miller,146Pythagoreanschool,3tuning,53Qquantization,84amplitude-,70time-,70question,open-,31RRAM,68rate,sample-,70realities,5recorder,36198Indexrecursiveconstruction,135rednoise,26reedinstrument,37referencecircular-,138frequency,52register,45relations,orthogonality-,77,80resampling,101reservoirtechnique,89reverberation,98reverberator,digital-,99ring,commutative-,135ringtone,179RLE(RunLengthEncoding),83ROM,68roundwindow,16RUBATO,61,131,139rubette,61runningstatus,126Ssamplefrequency,76period,76rate,70sampler,118samplingfrequency,86scalarproduct,80Schenkeranalysis,138Schenker,Heinrich,138school,Pythagorean-,3Schumann,Robert,173score,109Seitzer,Dieter,85semiotics,5semitone,51sequencer,117servicemodel,167simpleform,134singersynthesis,32singingsynthesis,183sinusoidalfunction,20complexnumberrepresentationof-,79slave,116slide,40Smith,Dave,115sonication,144Sony,70sound,11,13atomic-,30communicativedimensionof-,14event,115example,vispectrum,24trumpet-,22soundsource,11SoundCloud,170soundboard,44source,sound-,11spaceEuler-,51global-,162species,counterpoint-,59Specication,MIDI-,115spectralenergy,24music,3,24spectrogram,24spectrumamplitude-,20Fourier-,70phase-,20sound-,24Spotify,170staccato,112StandardMIDIFile,116,125standardization,115group,84standingwave,36startbit,121statusword,122statusbit,122stopbit,122streaming,170buered-,170streamingmodel,170stretchingpitch-,100time-,100string,40,43stringinstrument,40strongdichotomy,60structuredpeer-to-peernetwork,164StudiofürelektronischeMusik,109studiotechnology,67style,Venetianpolychoral-,12Index199subpatch,152substance,133support,22sustain,22Swing,141symmetry,torus-,58synthesis,23method,14modal-,32singer-,32singing-,183synthesizer,115,117synthetichoptime,104systemlive-streaming-,170microphone-,11nervous-,16TTanaka,Atau,185tape,68technique,reservoir-,88technology,studio-,67technologymusic-,3quadraphonic-,162tempo,111curve,112temporallobe,16temporalmasking,87tenuto,112terabyte,163theoremFourier-,19,23Nyquist-,77theorycomputational-,140performance-,113theremin,45Theremin,Leo,46thirdmajor-,51torus,56thirddistance,57three-elementmotif,177threshold,hearing-,87throat,32,44THRUport,118tick,MIDI-,125timbre,24,102time,161analyticalhop-,103daughter-,160global-,159hierarchy,160local-,159MIDI-,125mother-,160onset-,13principle,161quantization,70stretching,100synthetichop-,104typesof-,161topos,132torussymmetry,58third-,56transform,Fourier-,94Trautonium,47Trautwein,Friedrich,47trombone,40trumpet,40sound,22tuba,40Tuckey,JohnW.
,81tuning,50,51,111bell-,3just-,54Pythagorean-,53twelve-tempered-,51twelve-temperedtuning,51type,form-,134typesoftime,161UU.
P.
I.
C.
,47unity,132universalconstruction,135unstructuredpeer-to-peernetwork,164Vvalve,40vanishingfrequency,94velocity(inVOCALOID),184velocity,MIDI-,122Venetianpolychoralstyle,12vibraphone,42200Indexvibrato(inVOCALOID),185viewinrubettes,140violetnoise,26violin,32family,41virtualorchestra,146virtuosity,32VIZZIE,149VL-1(Yamaha),32vocalfold,45VOCALOID,182voicechest-,44head-,44human-,44Wwave,12,20longitudinal-,12standing-,36waveguide,32wavelet,14,30Weaver,Timothy,154Westernnotation,109,113whitenoise,25Wille,Rudolf,50windinstrument,36windowoval-,16round-,16WMA,169Wolfram,Stephen,178WolframTones,179Wood,Chet,115woodwindinstrument,39wordMIDI-,121status-,122work,14XXenakis,Iannis,47XML,131,141XOR,167XORcipher,167xylophone,42YYamaha,27,182ZZarlino,Gioseo56Zhu,Zaiyu,51Zicarelli,David,146