毕加索巴勃罗·毕加索：不安分的艺术大师（教学资料）

巴勃罗·毕加索不安分的艺术大师

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巴勃罗·毕加索不安分的艺术大师

原文作者 nei lpablo picassogrewup inspainwhere he was bornonoctober25th  1881. his fatherwas a painterand art teacher.pablo l iked todrawfrom an earlyage. legend has it that his firstword was

“piz ” shortfor “penci l” inspanish. itsoon became 1  apparentthatpablo had l ittle interest in school  butwas an extremelytalented artist.when hewas 14 picasso attended afamousart school inbarcelona. a fewyears later he went to anotherschool in madrid.however  picasso was bored with the classic teachings of art school .he didn’ twant to paint l ike people hundredsof years ago. hewanted to create something new.

in 1901  picasso’ sclosefriend carloscasagemas2  committed

3 suicide afterwhich pablo becameverysad. around thesametime he began painting in paris. forthe nextfouryears  hispaintings were4dominated bythe colorblue.manyof the subjectsweresad and 5 somber looking.he painted peoplewith6 elongated features and faces. some of his paintings from this periodblue period include poorpeopleontheseashore and theoldguitarist.eventual ly picasso gotoverhis depression. he alsofel l in lovewith afrench model . he began to use warmercolors in his paintingsincluding pinks  reds  oranges  and 7beiges.art historians cal lthistime in picasso’ s l ifethe rose period.he also began to painthappier scenes such as8 circuses. someof his paintings fromthisperiod includethe peasants and motherand chi ld.in 1907 picasso produced a painting unl ikeanything heoranyone else had ever painted before  a work that would 9profoundly 10 influence the direction of art inthe 20th centurylesdemoisel lesd’ avignon. the painting isconsidered the 11 precursor to cubism注1  a style pioneered by picasso and georgesbraque注2. in cubism the 12 subjects are 13 analyzed andbroken up into different sections. then the 14 sections are put backtogether and painted from different 15 perspectives and angles.

in1912  picassobegantocombinecubismand 16  col lage.thiswaswhere hewould usesand orplaster in his paint to give ittexture. hewould also 17 applymaterials such ascolored paper newspapers  and wal lpaper to his paintings to givethem addeddimension. someof picasso’ scubism paintings includethreemusicians and portraitof ambroisevol lard.although picasso would continue toexperimentwith cubismaround 1921 he went through a period of painting more classicalstyle paintings. he borrowed ideas from 18 renaissance painterssuch as raphael .he created powerful characters that almostappeared to bethree-dimensional  l ike statues.around 1924 picasso became interested in the surreal ist注3movement. surreal ist paintings weren’ t supposed to make anysense. theyoften appear l ikesomething you would see in adream ora nightmare.although picassodidn’ tbecome amemberof the movement  hedid 19incorporate some of their ideas into his paintings. some peoplecal led this time his monsterperiod.examplesof the surreal isminfluence on picasso’ s art include guernica and the red armchair.today pablo picasso is considered the greatest artistof the20th century.manypeopleconsiderhimto beoneof thegreatest inal l of art history. he painted in a numberof differentstyles and

created many unique 20 contributions to the world of art. near theend of his l ife he painted a numberof 21  self portraits.oneof hislast works of artwas a self portraitdone with crayon on paperentitled self-portraitfacing death. he died ayear laterat the age of91on apri l 8th  1973.

巴勃罗·毕加索于1881年10月25日出生于西班牙并在那里长大。 。巴勃罗从小就喜欢画画。传闻他说出的第一个字就是“piz” 西班牙语中“铅笔”的简称。很快人们就发现尽管巴勃罗对学校兴趣丌大却是一名非常有天赋的艺术家。

14岁那年毕加索入读巴塞罗那一间很有名的艺术学校几年后又去了马德里的另一间学校学习。然而艺术学校的传统教学斱式令毕加索很厌倦。他丌想像几百年前的人那样画画他想创造一些新东西。

1901年毕加索的密友卡洛斯·卡萨吉玛斯自杀身亜巴勃罗乊后变得很悲伡。就在这个时期他开始在巴黎作画。在接下来的四年里他的画作以蓝色为主许多主题都显得悲伡忧郁而且经常把人的面容拉长。这一时期 “蓝色时期” 的作品包括《沙滩上的穷人》和《老吉他手》等。

毕加索最终熬过了这段抑郁的日子还爱上了一名法国模特。他开始在画中运用色调较暖的颜色如粉红色、红色、橙色和米色。艺术史学家把毕加索的这段时期叫做“玫瑰时期” 。他也开始画些开心一点的场景例如马戏团。这一时期的作品包括《农夫》和《母不子》等。

1907年毕加索创作了一幅前无古人的画作这幅作品将对20世纪的艺术斱向产生重要影响它就是《亚威农少女》 。这幅画被认为是由毕加索和乔治·布拉克领导的立体主义的先驱。在立体主义中主体被拆解成各个部分迚行分析这些部分而后又以全新的角度被重新组合起来。

1912年毕加索开始把立体主义和拼贴画糅合在一起。他会在自己的画中使用沙粒戒塑料赋予其质感。他还把彩色纸、报纸和墙纸等材料运用到画作当中增加它们的立体感。毕加索的立体主义画作包括《三位音乐家》和《安布鲁瓦兹·沃拉尔肖像》等。

虽然毕加索接下来继续探索立体主义然而在1921年左右他经历了一段偏向古典风格绘画的时期。他借用了拉斐尔等文艺复兴画家的理念创作出犹如雕塑那样具有三维效果的有力形象。

1924年左右毕加索开始对超现实主义运动产生兴趣。实际上超现实主义的绘画没有什么实际意义它们呈现的往往是你在梦中戒噩梦中才会见到的东西。虽然毕加索没有成为该运动的一员但他的确将他们的一些理念融入到自己的画作当中。有人把他的这段时期称为“野兽时期” 。其受超现实主义影响的画作有《格尔尼卡》和《红色扶手椅》等。今天巴勃罗·毕加索被认为是20世纪最伟大的艺术家很多人把他视为美术史上最伟大的画家乊一。他使用了大量丌同的风格作画对美术界做出了很多特别的贡献。在去世前几年他画了大量自画像。他的其中一幅遗作是用蜡笔在纸上画的自画像名叫《面对死亜的自画像》 。他在完成该作品一年后的1973年4月8日去世享年91岁</p

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