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2012,Typotheque.
com.
Forinformationpurposesonly.
ewjduhiztvnsgfq1KarloffPositiveKarloffNeutralKarloffNegativeTypothequetypespecimen&OpenTypefeaturespecification.
Pleasereadbeforeusingthefonts.
OpenTypefontfamilysupportingLatinbasedlanguageswiththeirownsmallcaps,withextensivetypographicfeatures.
WhatisOpenTypeOpenTypeisacross-platformfontformatdevelopedbyAdobeandMicrosoft.
Ithasapotentialtoprovideadvancedtypographicfeaturessuchasmultilingualcharactersets,ligatures,smallcapitals,variousnumeralstyles,andcontextualsubstitutions.
OpenType,asthenewindustrystandard,supportsUnicode,whichenablesthefontstocontainalargenumberofcharacters.
WhilePostScriptfontsareatechnicallylimitedtoamaximumofonly256characters,OpenTypefontscanhavemorethan65,000glyphs.
ThismeansthatauserdoesnotneedtohaveseparatefontsforWestern,CentralEuropean,Baltic,CyrillicorGreeklanguages,butcouldhaveonesinglefilewhichsupportsalltheseencodings.
OpenTypefontsworkinallapplications,howeveronlysomeapplicationstakeadvantageoftheadvancedOpenTypefeatures.
Otherapplicationswillonlyusethefirst256characters.
01OpenTypefeaturesinKarloffDesignedbyPeterBiakandPietervanRosmalen,20122012,Typotheque.
com.
Forinformationpurposesonly.
charactersetabcdefghijklmnopqrstuvwxyz([0123456789])áàāéèêěēíìījńňnóòōpúùüūǔzabcdefghijklmnopqrstuvwxyz([0123456789])áàāéèêěēíìījńňnóòōpúùüūǔzabcdefghijklmnopqrstuvwxyzáàāéèêěēíìījńňnóòōpúùüūǔzfiflfbfkfhfj+fìfabcdefghijkmnoprstuvwxyz/abcdefghijkmnopqrstuvwxyz1234567890/1234567890$←↑→↓↖↗↘←↑→↓↖↗↘2012,Typotheque.
com.
Forinformationpurposesonly.
AboutthetypefaceKarloffexplorestheideaofirreconcilabledifferences,howtwoextremescouldbecombinedintoacoherentwhole.
Atthestartwelookedatthehigh-contrastDidonetypefaceswhichareconsideredbymanyassomeofthemostbeautifulinexistence,andtheeccentric'Italian',reversed-contrasttypefacewasdesignedtodeliberatelyattractreaders'attentionbydefyingtheirexpectations.
NootherstyleinthehistoryoftypographyhasprovokedsuchnegativereactionsastheItalian.
Karloff,theresultofthisproject,connectsthehighcontrastModerntypeofBodoniandDidotwiththemonstrousItalians.
Thedifferencebetweentheattractiveandrepulsiveformsliesinasingledesignparameter,thecontrastbetweenthethickandthethin.
Havingdesignedtwodiametricallyoppositeversions,weundertookageneticexperimentwiththeoffspringofthebeautyandthebeast,interpolationofthetwoextremes,whichproducedasurprisinglyneutrallowcontrastversion.
AboutthedesignerPeterBiakwasborninCzechoslovakia,livesintheNetherlands.
Worksinthefieldofeditorial,graphic,andtypedesign,teachesparttimeattheRoyalAcademyinTheHague.
StartedTypothequein1999,DotDotDotin2000,andIndianTypeFoundryin2009.
MemberofAGI(AllianceGraphiqueInternationale).
PietervanRosmalenstudiedadvertisingandgraphicdesignatSt.
LucasinBoxtelandgraduatedagainin2002fromthepostgraduatecourseType&MediaattheRoyalAcademyofArt(KABK)inTheHague.
HerunsagraphicdesignstudioCakeLabandistypicallyworkingontendifferenttypefacesatthesametime.
HehasworkedoncustomtypefacesforworldwideclientssuchasNBCUniversal,AudiAGandKPN.
HeisapartneratthetypefoundryBoldMonday.
KarloffRegularKarloffRegularItalicKarloffMediumKarloffMediumItalicKarloffBoldKarloffBoldItalicKarloffRegularKarloffRegularItalicKarloffMediumKarloffMediumItalicKarloffBoldKarloffBoldItalicKarloffRegularKarloffRegularItalicPositivenegativeneutral2012,Typotheque.
com.
Forinformationpurposesonly.
BEAUTYpulchritudeGRANDEURexquisitenessSPLENDOR2012,Typotheque.
com.
Forinformationpurposesonly.
Beautyisacharacteristicofaperson,animal,place,object,orideathatprovidesaperceptualexperienceofpleasureorsatisfaction.
Beautyisstudiedaspartofaesthetics,sociology,socialpsychology,andculture.
An"idealbeauty"isanentitywhichisadmired,orpossessesfeatureswidelyattributedtobeautyinaparticularcul-ture,forperfection.
Theexperienceof"beauty"ofteninvolvestheinterpretationofsomeentityasbeinginbalanceandharmonywithnature,whichmayleadtofeelingsofattractionandemotionalwell-being.
Becausethisisasubjectiveexperience,itisoftensaidthat"beautyisintheeyeofthebeholder.
"Thereisevidencethatperceptionsofbeautyareevolutionarilydetermined,thatthings,Beautyisacharacteristicofaper-son,animal,place,object,orideathatprovidesaperceptualexperienceofpleasureorsatisfaction.
Beautyisstudiedaspartofaesthetics,sociol-ogy,socialpsychology,andculture.
An"idealbeauty"isanentitywhichis2012,Typotheque.
com.
Forinformationpurposesonly.
UGLINESSmonstrosityhideousdegenerate2012,Typotheque.
com.
Forinformationpurposesonly.
Beautyisacharacteristicofaperson,ani-mal,place,object,orideathatprovidesaper-ceptualexperienceofpleasureorsatisfaction.
Beautyisstudiedaspartofaesthetics,sociol-ogy,socialpsychology,andculture.
An"idealbeauty"isanentitywhichisadmired,orpos-sessesfeatureswidelyattributedtobeautyinaparticularculture,forperfection.
Theexperi-enceof"beauty"ofteninvolvestheinterpreta-tionofsomeentityasbeinginbalanceandhar-monywithnature,whichmayleadtofeelingsofattractionandemotionalwell-being.
Becausethisisasubjectiveexperience,itisoftensaidthat"beautyisintheeyeofthebeholder.
"Thereisevidencethatperceptionsofbeautyareevo-Beautyisacharacteristicofaperson,animal,place,object,orideathatprovidesaperceptualexperienceofpleasureorsatis-faction.
Beautyisstudiedaspartofaesthetics,sociology,socialpsychology,andculture.
An"ide-2012,Typotheque.
com.
Forinformationpurposesonly.
OFFSPRINGinterpolationneutralmethodofconstructingnewdatapoints2012,Typotheque.
com.
Forinformationpurposesonly.
Beautyisacharacteristicofaperson,ani-mal,place,object,orideathatprovidesaper-ceptualexperienceofpleasureorsatisfaction.
Beautyisstudiedaspartofaesthetics,sociol-ogy,socialpsychology,andculture.
An"idealbeauty"isanentitywhichisadmired,orpos-sessesfeatureswidelyattributedtobeautyinaparticularculture,forperfection.
Theexperienceof"beauty"ofteninvolvestheinterpretationofsomeentityasbeinginbalanceandharmonywithnature,whichmayleadtofeelingsofat-tractionandemotionalwell-being.
Becausethisisasubjectiveexperience,itisoftensaidthat"beautyisintheeyeofthebeholder.
"Thereisevi-dencethatperceptionsofbeautyareevolution-Beautyisacharacteristicofaper-son,animal,place,object,orideathatprovidesaperceptualexpe-rienceofpleasureorsatisfac-tion.
Beautyisstudiedaspartofaesthetics,sociology,socialpsy-chology,andculture.
An"ideal2012,Typotheque.
com.
Forinformationpurposesonly.
ab!
(doh-ehg)AB!
(Doh-EhG)SmallCapitals&AllSmallCaps(smcp&c2sc)InAdobeapplicationstherearetwomethodsofapplyingsmallcapitals.
Thefirstone,SmallCaps(H)fig.
1replacesonlylowercaseletterswithsmallcaps.
Thesecondmethod,AllSmallCaps,fig.
2replacesalsocapitalletterswithsmallcapitals,andreplacesregularquotationmarks,exclamationpointsandquestionmarks,slashesandasteriskwithloweredsmallcapsvariations.
CaseSensitiveforms(case)Whenfunction'changetocaps'isappliedfromwithinanapplication(notwhentextistypedincaps)appropriatecase-sensitiveformsareautomaticallyapplied.
Regularbrackets,parenthesis,dashesandhyphensarereplacedwiththeircapitalforms.
tSmallCapsSmallCapsAllSmallCapsAllsmallweSlashedZero(zero)Becauseinsomecircumstances'0',canbemistakenforan'O',alternativeformsof'slashedzero'areavailableforallstylesoffiguresv012345012345012345012345StandardLigatures(liga)Standardligaturesarethosewhicharedesignedtoimprovethekerningandreadabilityofcertainletterpairs.
Forexample,whenthisfeatureisactivated,typing'f'and'i'willautomaticallyproducethe'fi'ligature.
Usingligaturesdoesnotaffectthespellingandhyphenationofyourtextinanyway.
dfiflffifflfhfkfiflffifflfhfkfffìfìArbitraryFractions(frac)TypothequeOpenTypefontsalreadyincludeanumberofpre-designedfractions.
Otherarbitraryfractionsareeasilymadebyusingthefractionfeature.
21/231/104125/510021/231/104125/5100hContextualAlternates(calt)Besidesstandardligatures(fiflffifflfk,etc),KarloffcontainsacontextualalternatessuchasTT.
TheseligaturesareactivebydefaultinAdobeInDesign.
ATTAATTAuDiscretionaryLigatures(dlig)Thediscretionaryligaturefeaturecreatesrealarrowswhenyoutypethecombination->(rightarrow),<-(leftarrow),-^(uparrow)or^-(downarrow).
DiscretionaryligaturesareoffbydefaultinAdobeapplications.
IStylisticSet01(ss01)Karloffincludesalternativesetofarrows,whichcanbeactivatedbyturningon'StylisticSet1'inAdobeCSapplications.
1StylisticSet02(ss02)Karloffincludesalternativeletter'j',whichcanbeactivatedbyturningon'StylisticSet2'inAdobeCSapplications.
jj2OverviewofsupportedOpenTypelayoutfig.
1fig.
2TabularLiningFigures(tnum_lnum)TabularOldstyleFigures(tnum_onum)ProportionalOldstyleFigures(pnum_onum)ProportionalLiningFigures(pnum_lnum)Changesfigurestoanyselectedstyle:Liningfigureswhichfitbetterwithall-capitaltext,old-stylefigures,foruseinaflowoflowercaseanduppercasetext,ortabular(fixedwidth)versions.
sgf({[012-3456–789)]}({[012-3456–789]})([{012-3456–789}])({[012-3456–789]})

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